I am working on two grosgrain wireframe headpieces. One is white undyed materials, and one will be dyed. I am making these pieces to explore the tradition of wireframe headpieces mid 20th century. The undyed one to explore the techniques, combination of materials and shape. I will then create the same piece with materials I…
I am currently working to make an exhibition with the National Theatre in Oslo, in collaboration with the Norwegian Craft Institute, showing theatrical millinery craft. Because of this event coming up, I have been asked to write a short text about the kind of work a Norwegian milliner do. These kinds of definitions can be…
In dialog with The Norwegian Crafts Institute and the head of costume at the theatre, we concluded that the permanent in-house milliner position I was offered would only be possible if I could move my studio and the scholarship work into the studio the theatre was making available for me. We have also found that…
Whatever is the matter, the matter of the hatter? – A presentation of my Primary and Secondary Matter in my scholarship work Primary Secondary My research of the history of hats and the craft has a 3-year timeline. I needed a strategy to narrow the scope of my research to what I feel is critical…
-The second year. Changes, and a bold choice of doing my research in another language than Norwegian. I have decided to use English as the main language for the project instead of Norwegian, so I wish to present myself and the project once again. Although English is not my first language, I am doing this…
Fra gammelt av reiste grossistene rundt til modister i deres forretninger i det ganske land for å selge spesialmaterialer til produksjon av hodeplagg. Siden slutten av 1980-tallet har vi ikke hatt den typen grossister av hattematrialer i Norge. Tidligere var det også mulig å reise på messer å kjøpe inn materialer. Modistfortetningene og atelierene kunne…
Hei! Velkommen til min blogg som stipendiat. Mitt navn er Stine Rudi Standal, jeg kommer opprinnelig fra Ålesund, men lever og har mitt virke i Oslo. I tillegg til å være stipendiat er jeg teatermodist. I årene jeg jobber med stipendiatet er jeg så heldig at jeg får kombinere dette med min stilling, og gjøre…
